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On God Has Nothing to Do with This, there's that Nine Inch Nails sample, thereвЂ™s the Black Sabbath sample, and вЂњWhen the Levee BreaksвЂќ and all those different things. But then the content of the samples, frequency wise, and especially on the Stigmata EP, it was all metal samples and stuff. Ashanti, the way you set up your drums and set up your 808s is super hip-hop focused, and the way you chop everything up and the way that everything's rhythmically set up is very, very hip-hop.

In terms of blending the two, I think part of what makes AshantiвЂ™s productions super unique is just the fact that she tends to take these really aggressive samples, but then present them in a hip-hop focused way. I mean, metal engineering is a whole different kind of ballgame once you're dealing with baritone guitars and breakdowns in drop A, and there's a whole way of using samples with live drums and stuffвЂ¦ ItвЂ™s just incredible.Д¬M: Will, what was your experience working in rap and/or metal prior to working with Ashanti? And how was it for you blending these two sonic cultures?Д«ennett: In terms of engineering, I have a lot more experience with hip-hop than I do with metal.

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Will listens to hip-hop and heavier music and he knows how to keep the sound and momentum going. You know, theyвЂ™ll end up turning a lot of things really down. I feel like some other people don't really know how to mix from a hip-hop or heavy music mindset. You know, he'll hear things that you don't even recognize in the composition. As well, WillвЂ™s ear is just on another level. I feel very comfortable in WillвЂ™s apartment.

So, we did that record and it was released pretty much exactly a year before God Has Nothing to Do with This.Д¬M: Ashanti, what made you come back to Will for this album?Д«ackxwash (Ashanti Mutinta): For one, I just have to make sure that wherever I'm recording, I feel comfortable. Will Owen Bennett: Ashanti came by my studio to be featured on another rapperвЂ™s track a while back, and then she hit me up to do the Deviancy record last year. Д¬M: How did the two of you first connect?

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To find out how they made this masterpiece, Professional Sound got Mutinta together with Bennett over Zoom to hear the story behind the making of God Has Nothing to Do with This Leave Him Out of It.Д«ecause of licensing issues with some of the high-profile samples, God Has Nothing to Do with This Leave Him Out of It is not available on the subscription streaming services or iTunes. For it, Mutinta co-produced alongside producer/engineer Will Owen Bennett and they recorded it in the latterвЂ™s little Montreal apartment. Incredibly for a record that won CanadaвЂ™s most prestigious music prize, the album is a completely DIY affair. Metal Hammer hailed it as вЂњthe most important album of 2020,вЂќ while Exclaim!вЂ™s rave review said the album вЂњturned hip-hop on its headвЂќ and the magazine later named it the best album of the year. The overall combination is done so masterfully she found a home in both the metal and rap communities, which may be a first (except for maybe Ice-T). She tackles subjects of faith and identity both powerfully and succinctly with a blend of rhythmic and aggressive vocals, banging beats, and heavy metal samples (including Black Sabbath and Led Zeppelin). On the album God Has Nothing to Do with This Leave Him Out of It, the Zambia-born, Montreal-based rapper and producer explores her experience as a transgender woman challenging the confines of her religious upbringing. There are few, if any, artists like her at the moment. Ashanti Mutinta) receive such prestigious recognition. Nonetheless, itвЂ™s satisfying to see an artist like Backxwash (a.k.a.

It has gone to famed artists like Arcade Fire, Feist, and Buffy Sainte-Marie, as well as under-the-radar indie artists like Kaytranada, Lido Pimienta, Jeremy Dutcher, and Godspeed You! Black Emperor. Since its inception in 2006, the Polaris Music Prize has largely lived up its goal of rewarding the best Canadian album of the year based on artistic merit without regard to genre, sales history, or label affiliation.

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